Eugene Smith - Supporter of "Subjective" Photography
Eugene Smith (William Eugene Smith), famous in the genre of documentary photography, today is known throughout the world. Throughout his life, he was convinced that photography was able not only…

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HOW TO PHOTO JEWELERY WITHOUT A STUDIO. GUIDE TO ACTION
Many online store owners are worried about how to convey the beauty of sparkling jewelry in photographs. However, shooting jewelry is not as difficult as it might seem. Here is…

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STEEL WOOL. NEW IDEAS FOR LIGHTING
You probably saw these cool photos that show fire rings, sparks and fiery whirlwinds? Have you ever wondered how this type of photograph turns out? Perhaps what you saw was…

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This not only preserves visual

CHOOSE THE RIGHT BACKGROUND IN PHOTOGRAPHY IS ART

Finding the right background to complement the subject is more than just trusting your instinct. The process should be approached consciously and carefully, because the background, as everyone knows, can make or break a photo. On which side to approach the question of choosing a background for a photograph?

Minimize distractions

If you look at some of the most famous works of pictorial art, you will notice that the backgrounds there are often simple, so it makes sense to try minimalism with the background and in photography. Continue reading

HOW TO REMOVE WATERFALLS SIMPLY SIMPLE?
Waterfalls are really great subjects. Firstly, because they are unusually beautiful, secondly, it’s interesting to shoot waterfalls, and this is due to the complex lighting that they are surrounded by,…

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USING A TEXTURE AS A SUBJECT
Although it may seem that the use of texture in photography is a rather simple compositional technique, nevertheless sometimes there are certain difficulties in its development. Lighting, shadows, and colors…

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STEEL WOOL. NEW IDEAS FOR LIGHTING
You probably saw these cool photos that show fire rings, sparks and fiery whirlwinds? Have you ever wondered how this type of photograph turns out? Perhaps what you saw was…

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HOW THE PHOTO CHANGE THE BRIGHT GLARES IN THE EYES
You have chosen the pose of the model, set the lighting and found the desired shooting angle. Everything seems to be fine. Your model is motionless, looking into the lens…

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