themselves and relax
There are many lighting options that you can use when taking portraits. Lighting “Rembrandt” and “Butterfly” are two classic schemes that are easy to configure and give excellent results in most cases. Of course, you can try to create a fantastic portfolio using always the same lighting scheme, but it is always useful to pump your skills in working with light and learn to use different lighting models in portrait photography at any time.
Understanding wide and short lighting in photography
Wide and short lighting are often combined due to the similarity of implementation and description, however, they have a completely different effect on the subject Continue reading
Flash is one of the simplest but most versatile tools in photography. Once you understand the basics of its settings (say, how to reduce or increase power and how to synchronize it with the camera), you can easily play different lighting techniques.
Use the flash as your primary light source.
Of course, on-camera flashes do not give as much light as a powerful studio monoblock or a set of studio lights, but you can easily transfer them to different places for shooting. Moreover, the on-camera light uses its own energy source, for it you do not need access to an electrical outlet. And with the right light modifier, the on-camera flash can recreate the illusion of natural light. Continue reading
Waterfalls are really great subjects. Firstly, because they are unusually beautiful, secondly, it’s interesting to shoot waterfalls, and this is due to the complex lighting that they are surrounded by, and thirdly, the dynamics always attract and fascinate. The movement of the subject, of course, often means a challenge to the photographer, but also a real opportunity to make the picture dynamic and vibrant. Much, of course, has already been written about the intricacies of photographing waterfalls, but the basics are pretty simple. They will be shared by photographer Darren Rowse.
How to shoot waterfalls as easy as shelling pears
Work with movement
Each time a photographer has to shoot an object in motion, he actually has two options. Continue reading