COSTUMED PORTRAITS - 5 TIPS FOR MAKING CORRECTLY
Over the past few years, interest in photographing costume portraits has grown markedly. Starting from movie displays and ending with inspiration from historical canvases, there is no end to those…

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HOW TO PHOTOGRAPHY STILL LIFE. SIMPLE METHODS
You do not need to treat still life photography as a real problem, because you do not understand where to start work. This genre is definitely worth mastering, because it…

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HOW TO USE A RING LIGHT FOR PICTURES BY NON-TRADITIONAL METHODS
Ring LED lamps are now at the peak of fame and are widely used by professional photographers and amateurs. There are many models of these devices from dozens of companies…

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Ansel Adams and Fred Archer

HOW TO PACK CORRECTLY PHOTO FOR DRAINS AND DO I NEED TO USE AN ARTIFICIAL INTELLIGENCE FOR THIS

For a photographer who works with photo banks, high-quality images are half the success. In order for a photo to be commercially successful on stocks, it must be properly “packed”: the correct title must be selected for it and relevant keywords must be invented. In the language of drains, this is called “attribution” of the image. Without proper attribution, your picture, no matter how professional and fresh it may be, will simply be lost in a huge mass of stock images. Continue reading

CREATING DIGITAL PHOTOS – YOUR PHOTO TIME MACHINE

Photography is a human collective past, which is a huge visual archive of various techniques, techniques and creative processes. Each print – a daguerreotype, a Polaroid photo, the brightest HDR photo – is part of our common visual language.

With a huge raw-file at hand, modern photographers strive for a new application of historical image styles in their own works. Some masters use photographic technologies of the past – ambrotypia, technicolor, anastigmat lens. Currently, there are many tools to simulate notable, sometimes even esoteric, photographic processes. Continue reading

Eugene Smith – Supporter of “Subjective” Photography

Eugene Smith (William Eugene Smith), famous in the genre of documentary photography, today is known throughout the world. Throughout his life, he was convinced that photography was able not only to tell about current events, but also to change the world. He was ready to take risks for the sake of a good shot, and many of his works are confirmation that this risk was justified.

The American photojournalist did not seek to maintain objectivity during the filming. He tried to convey a subjective view of the situation, to reveal to the viewer his idea of ​​it. He felt responsible for the information he covered before the viewer. Eugene often had conflicts with employers who did not consider it necessary to publish some of the work, or wanted to give out prints that, according to the photographer, did not deserve it. Continue reading

PRACTICE IN PORTRAIT SHOOTING WITH TOYS
Portrait lighting is not easy to learn if there is no model at hand. After reading the articles and watching video tutorials on setting up the light, you will be…

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HOW TO USE A TRIAD COLOR CIRCUIT IN PHOTOS
The photographer has many tools: using the rules of composition, knowledge of the laws of light, understanding the triangle of exposure, and so on. Color is another important tool for…

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HOW TO CONTROL THE TONES OF THE BACKGROUND BY CONTROL THE LIGHT
When using studio lighting, one of the unpleasant things is related to the background. Of course, if you have the space, time and money, then you can simply stock up…

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STEEL WOOL. NEW IDEAS FOR LIGHTING
You probably saw these cool photos that show fire rings, sparks and fiery whirlwinds? Have you ever wondered how this type of photograph turns out? Perhaps what you saw was…

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