REMOVING VIDEO BLOGS!
Write a script. It would seem that you can skip this step, but if you spend time preparing the script or at least outline your ideas, this will save you…

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CHOOSE THE RIGHT BACKGROUND IN PHOTOGRAPHY IS ART
Finding the right background to complement the subject is more than just trusting your instinct. The process should be approached consciously and carefully, because the background, as everyone knows, can…

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DAVID LASCHAPEL - GLOSSY PHOTOGRAPHER, PROVOCATIONAL CLIPMAKER AND MASTER OF SURREALISTIC GLAMOR
American David LaChapelle is known both in the fashion world and in show business. He is one of the most famous glossy photographers of our time, included by the American…

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Ansel Adams and Fred Archer

HOW TO PACK CORRECTLY PHOTO FOR DRAINS AND DO I NEED TO USE AN ARTIFICIAL INTELLIGENCE FOR THIS

For a photographer who works with photo banks, high-quality images are half the success. In order for a photo to be commercially successful on stocks, it must be properly “packed”: the correct title must be selected for it and relevant keywords must be invented. In the language of drains, this is called “attribution” of the image. Without proper attribution, your picture, no matter how professional and fresh it may be, will simply be lost in a huge mass of stock images. Continue reading

CREATING DIGITAL PHOTOS – YOUR PHOTO TIME MACHINE

Photography is a human collective past, which is a huge visual archive of various techniques, techniques and creative processes. Each print – a daguerreotype, a Polaroid photo, the brightest HDR photo – is part of our common visual language.

With a huge raw-file at hand, modern photographers strive for a new application of historical image styles in their own works. Some masters use photographic technologies of the past – ambrotypia, technicolor, anastigmat lens. Currently, there are many tools to simulate notable, sometimes even esoteric, photographic processes. Continue reading

Eugene Smith – Supporter of “Subjective” Photography

Eugene Smith (William Eugene Smith), famous in the genre of documentary photography, today is known throughout the world. Throughout his life, he was convinced that photography was able not only to tell about current events, but also to change the world. He was ready to take risks for the sake of a good shot, and many of his works are confirmation that this risk was justified.

The American photojournalist did not seek to maintain objectivity during the filming. He tried to convey a subjective view of the situation, to reveal to the viewer his idea of ​​it. He felt responsible for the information he covered before the viewer. Eugene often had conflicts with employers who did not consider it necessary to publish some of the work, or wanted to give out prints that, according to the photographer, did not deserve it. Continue reading

HOW TO GET THE MAXIMUM BENEFIT FROM PHOTO CONFERENCE
One of the best ways to quickly improve your photography skills and expand your circle of acquaintances is to attend a photography conference. If you've never been to events like…

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HOW TO PHOTO GARDEN
Each professional photographer has a unique corporate identity, and most of them are likely to tell you that their creative roots were brought up, one way or another, by photographing…

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CAN THE PHOTO MENTOR HELP YOU HAVE IMPROVED EFFECTIVENESS?
You are a good photographer, or at least you think so. You have several years of experience. You started as an amateur, but then gradually discovered that you can turn…

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ALIKO ARUTYUNOV - PHOTOGRAPHER-SUMMER OF THE SOVIET EPOCH
Valery Sergeevich Arutyunov was born in Tbilisi in 1939. Its origin influenced the formation of a special mentality of the artist, allowed to absorb the culture of different nationalities. It…

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