USING A TEXTURE AS A SUBJECT
Although it may seem that the use of texture in photography is a rather simple compositional technique, nevertheless sometimes there are certain difficulties in its development. Lighting, shadows, and colors…

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HOW TO CORRECT LENS DISTORTION
Lens distortion is a common problem that photographers face daily. Distortions can be divided into two groups: perspective distortion (when lines parallel in reality become convergent) and optical distortion (distortion).…

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WHAT IS THE REVERSE RULE IN PHOTO?
Do you know how to take clear photos without using a tripod? Many get blurry images, often associated with camera shake when you release the shutter. Unfortunately, this can occur…

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Ansel Adams and Fred Archer

HOW TO PACK CORRECTLY PHOTO FOR DRAINS AND DO I NEED TO USE AN ARTIFICIAL INTELLIGENCE FOR THIS

For a photographer who works with photo banks, high-quality images are half the success. In order for a photo to be commercially successful on stocks, it must be properly “packed”: the correct title must be selected for it and relevant keywords must be invented. In the language of drains, this is called “attribution” of the image. Without proper attribution, your picture, no matter how professional and fresh it may be, will simply be lost in a huge mass of stock images. Continue reading

CREATING DIGITAL PHOTOS – YOUR PHOTO TIME MACHINE

Photography is a human collective past, which is a huge visual archive of various techniques, techniques and creative processes. Each print – a daguerreotype, a Polaroid photo, the brightest HDR photo – is part of our common visual language.

With a huge raw-file at hand, modern photographers strive for a new application of historical image styles in their own works. Some masters use photographic technologies of the past – ambrotypia, technicolor, anastigmat lens. Currently, there are many tools to simulate notable, sometimes even esoteric, photographic processes. Continue reading

Eugene Smith – Supporter of “Subjective” Photography

Eugene Smith (William Eugene Smith), famous in the genre of documentary photography, today is known throughout the world. Throughout his life, he was convinced that photography was able not only to tell about current events, but also to change the world. He was ready to take risks for the sake of a good shot, and many of his works are confirmation that this risk was justified.

The American photojournalist did not seek to maintain objectivity during the filming. He tried to convey a subjective view of the situation, to reveal to the viewer his idea of ​​it. He felt responsible for the information he covered before the viewer. Eugene often had conflicts with employers who did not consider it necessary to publish some of the work, or wanted to give out prints that, according to the photographer, did not deserve it. Continue reading

10 COOL WAYS TO USE THE CAMERA FLASH
Flash is one of the simplest but most versatile tools in photography. Once you understand the basics of its settings (say, how to reduce or increase power and how to…

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10 COOL WAYS TO USE THE CAMERA FLASH
Flash is one of the simplest but most versatile tools in photography. Once you understand the basics of its settings (say, how to reduce or increase power and how to…

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HOW TO USE A TRIAD COLOR CIRCUIT IN PHOTOS
The photographer has many tools: using the rules of composition, knowledge of the laws of light, understanding the triangle of exposure, and so on. Color is another important tool for…

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HOW TO REMOVE WATERFALLS SIMPLY SIMPLE?
Waterfalls are really great subjects. Firstly, because they are unusually beautiful, secondly, it’s interesting to shoot waterfalls, and this is due to the complex lighting that they are surrounded by,…

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