DAVID LASCHAPEL - GLOSSY PHOTOGRAPHER, PROVOCATIONAL CLIPMAKER AND MASTER OF SURREALISTIC GLAMOR
American David LaChapelle is known both in the fashion world and in show business. He is one of the most famous glossy photographers of our time, included by the American…

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DARE TO SEE THE SUN IN THE FACE, OR HOW TO REMOVE AGAINST THE LIGHT
Many photographers, especially beginners, do not risk taking pictures against the sun, fearing either damage to the camera or ugly photos. However, if you shoot in the backlight according to…

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4 WAYS TO ADD DEPTH AND DIMENSION IN PHOTO
One of the problems of photography is the two-dimensional environment with which we try to capture the three-dimensional world. Creating a sense of depth and dimension in the image helps…

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Monthly Archives: September 2019

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HOW TO PACK CORRECTLY PHOTO FOR DRAINS AND DO I NEED TO USE AN ARTIFICIAL INTELLIGENCE FOR THIS

For a photographer who works with photo banks, high-quality images are half the success. In order for a photo to be commercially successful on stocks, it must be properly “packed”: the correct title must be selected for it and relevant keywords must be invented. In the language of drains, this is called “attribution” of the image. Without proper attribution, your picture, no matter how professional and fresh it may be, will simply be lost in a huge mass of stock images. Continue reading

CREATING DIGITAL PHOTOS – YOUR PHOTO TIME MACHINE

Photography is a human collective past, which is a huge visual archive of various techniques, techniques and creative processes. Each print – a daguerreotype, a Polaroid photo, the brightest HDR photo – is part of our common visual language.

With a huge raw-file at hand, modern photographers strive for a new application of historical image styles in their own works. Some masters use photographic technologies of the past – ambrotypia, technicolor, anastigmat lens. Currently, there are many tools to simulate notable, sometimes even esoteric, photographic processes. Continue reading

Eugene Smith – Supporter of “Subjective” Photography

Eugene Smith (William Eugene Smith), famous in the genre of documentary photography, today is known throughout the world. Throughout his life, he was convinced that photography was able not only to tell about current events, but also to change the world. He was ready to take risks for the sake of a good shot, and many of his works are confirmation that this risk was justified.

The American photojournalist did not seek to maintain objectivity during the filming. He tried to convey a subjective view of the situation, to reveal to the viewer his idea of ​​it. He felt responsible for the information he covered before the viewer. Eugene often had conflicts with employers who did not consider it necessary to publish some of the work, or wanted to give out prints that, according to the photographer, did not deserve it. Continue reading

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HOW TO USE A RING LIGHT FOR PICTURES BY NON-TRADITIONAL METHODS
Ring LED lamps are now at the peak of fame and are widely used by professional photographers and amateurs. There are many models of these devices from dozens of companies…

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COFFEE PHOTOGRAPHY. AMAZE WITH DETAILS!
No matter what equipment and props you have, use the creative tips of professional photographer Dina Belenko, who talks about fantastic ways to get the perfect coffee photo. Pay attention…

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HOW TO MAKE INFRARED PHOTO
Infrared photography was originally created for state surveillance, but, as you know, the use of any shooting techniques in creativity is only a matter of time (for example, as is…

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