CHARGING FOR A PHOTO, OR HOW TO PERFORM CREATIVITY
It happens that everyday routine muffles a creative approach to shooting. We offer you some interesting exercises aimed at increasing creativity and developing technical skills. How to pump creativity Exercise…

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7 AWESOME FLAT LAY PHOTO IDEAS
Flat Lay is an extremely versatile still life genre. It can be minimalistic and simple, contain only key objects in a well-designed composition or dozens of tiny objects that form…

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DARE TO SEE THE SUN IN THE FACE, OR HOW TO REMOVE AGAINST THE LIGHT
Many photographers, especially beginners, do not risk taking pictures against the sun, fearing either damage to the camera or ugly photos. However, if you shoot in the backlight according to…

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HOW TO PACK CORRECTLY PHOTO FOR DRAINS AND DO I NEED TO USE AN ARTIFICIAL INTELLIGENCE FOR THIS

For a photographer who works with photo banks, high-quality images are half the success. In order for a photo to be commercially successful on stocks, it must be properly “packed”: the correct title must be selected for it and relevant keywords must be invented. In the language of drains, this is called “attribution” of the image. Without proper attribution, your picture, no matter how professional and fresh it may be, will simply be lost in a huge mass of stock images. Continue reading

CREATING DIGITAL PHOTOS – YOUR PHOTO TIME MACHINE

Photography is a human collective past, which is a huge visual archive of various techniques, techniques and creative processes. Each print – a daguerreotype, a Polaroid photo, the brightest HDR photo – is part of our common visual language.

With a huge raw-file at hand, modern photographers strive for a new application of historical image styles in their own works. Some masters use photographic technologies of the past – ambrotypia, technicolor, anastigmat lens. Currently, there are many tools to simulate notable, sometimes even esoteric, photographic processes. Continue reading

Eugene Smith – Supporter of “Subjective” Photography

Eugene Smith (William Eugene Smith), famous in the genre of documentary photography, today is known throughout the world. Throughout his life, he was convinced that photography was able not only to tell about current events, but also to change the world. He was ready to take risks for the sake of a good shot, and many of his works are confirmation that this risk was justified.

The American photojournalist did not seek to maintain objectivity during the filming. He tried to convey a subjective view of the situation, to reveal to the viewer his idea of ​​it. He felt responsible for the information he covered before the viewer. Eugene often had conflicts with employers who did not consider it necessary to publish some of the work, or wanted to give out prints that, according to the photographer, did not deserve it. Continue reading

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HOW TO CORRECT LENS DISTORTION
Lens distortion is a common problem that photographers face daily. Distortions can be divided into two groups: perspective distortion (when lines parallel in reality become convergent) and optical distortion (distortion).…

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DAVID LASCHAPEL - GLOSSY PHOTOGRAPHER, PROVOCATIONAL CLIPMAKER AND MASTER OF SURREALISTIC GLAMOR
American David LaChapelle is known both in the fashion world and in show business. He is one of the most famous glossy photographers of our time, included by the American…

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PETER LINDBERG - BEAUTY PROMOTIONAL WITHOUT RETOUSH
The legendary photographer of the fashion industry was born on November 23, 1944 in the Polish city of Leszno. Soon after the birth of the child, the family moved to…

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WHAT IS THE ADAMS ZONE SYSTEM. WHY IT IS NEEDED AND HOW TO SUCCESSFULLY USE IT
Have you ever wondered how some photographers can create images that are strikingly different from what you can see with your eyes? Digital photography allows you to use your computer…

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