PHOTO KOTIKOV: SOME RECEPTIONS AND TIPS
Well, who doesn't like cats? Only those who do not know how to photograph them. When it comes to shooting cats, we immediately imagine kittens with their cute movements, which…

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WHAT IS THE ADAMS ZONE SYSTEM. WHY IT IS NEEDED AND HOW TO SUCCESSFULLY USE IT
Have you ever wondered how some photographers can create images that are strikingly different from what you can see with your eyes? Digital photography allows you to use your computer…

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HOW TO CONTROL THE TONES OF THE BACKGROUND BY CONTROL THE LIGHT
When using studio lighting, one of the unpleasant things is related to the background. Of course, if you have the space, time and money, then you can simply stock up…

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tanya

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HOW TO PACK CORRECTLY PHOTO FOR DRAINS AND DO I NEED TO USE AN ARTIFICIAL INTELLIGENCE FOR THIS

For a photographer who works with photo banks, high-quality images are half the success. In order for a photo to be commercially successful on stocks, it must be properly “packed”: the correct title must be selected for it and relevant keywords must be invented. In the language of drains, this is called “attribution” of the image. Without proper attribution, your picture, no matter how professional and fresh it may be, will simply be lost in a huge mass of stock images. Continue reading

CREATING DIGITAL PHOTOS – YOUR PHOTO TIME MACHINE

Photography is a human collective past, which is a huge visual archive of various techniques, techniques and creative processes. Each print – a daguerreotype, a Polaroid photo, the brightest HDR photo – is part of our common visual language.

With a huge raw-file at hand, modern photographers strive for a new application of historical image styles in their own works. Some masters use photographic technologies of the past – ambrotypia, technicolor, anastigmat lens. Currently, there are many tools to simulate notable, sometimes even esoteric, photographic processes. Continue reading

Eugene Smith – Supporter of “Subjective” Photography

Eugene Smith (William Eugene Smith), famous in the genre of documentary photography, today is known throughout the world. Throughout his life, he was convinced that photography was able not only to tell about current events, but also to change the world. He was ready to take risks for the sake of a good shot, and many of his works are confirmation that this risk was justified.

The American photojournalist did not seek to maintain objectivity during the filming. He tried to convey a subjective view of the situation, to reveal to the viewer his idea of ​​it. He felt responsible for the information he covered before the viewer. Eugene often had conflicts with employers who did not consider it necessary to publish some of the work, or wanted to give out prints that, according to the photographer, did not deserve it. Continue reading

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CHOOSE THE RIGHT BACKGROUND IN PHOTOGRAPHY IS ART
Finding the right background to complement the subject is more than just trusting your instinct. The process should be approached consciously and carefully, because the background, as everyone knows, can…

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HOW TO WORK A PHOTOGRAPHER IN A SMALL TOWN
Not all photographers live in Moscow, St. Petersburg or another big city, but this does not mean that in a small town you cannot work as a highly professional photographer…

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YURI ABRAMOCHKIN - "DELICATE PROFI" OF REPORTING SHOT
Yuri Abramochkin (Yury Abramochkin) - a bright personality in the circles of Soviet photographers. Having been engaged in reportage filming for more than 60 years, he was awarded many awards.…

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HOW TO USE THE REFLECTOR FOR PORTRAITS WITH NATURAL LIGHTING
Reflected light adds depth and freshness to photo portraits. Sometimes it is possible to use reflected light of natural origin, looking for large surface sizes on the open air, so…

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