WHAT YOU NEED TO KNOW BEFORE YOU TAKE PLACE TO DIGITIZE SLIDES
In the pre-digital era, photo slides were a common way to preserve memories. But now the technology of slides is outdated, most people no longer have access to a slide…

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YURI ABRAMOCHKIN - "DELICATE PROFI" OF REPORTING SHOT
Yuri Abramochkin (Yury Abramochkin) - a bright personality in the circles of Soviet photographers. Having been engaged in reportage filming for more than 60 years, he was awarded many awards.…

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15 GENERAL ERRORS OF PORTRAIT PHOTOS
To make successful photo portraits, you need to think not only about the camera settings: you need to control that the lighting is installed correctly, there is a suitable background,…

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combine them into one HDR photo

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HOW TO PACK CORRECTLY PHOTO FOR DRAINS AND DO I NEED TO USE AN ARTIFICIAL INTELLIGENCE FOR THIS

For a photographer who works with photo banks, high-quality images are half the success. In order for a photo to be commercially successful on stocks, it must be properly “packed”: the correct title must be selected for it and relevant keywords must be invented. In the language of drains, this is called “attribution” of the image. Without proper attribution, your picture, no matter how professional and fresh it may be, will simply be lost in a huge mass of stock images. Continue reading

CREATING DIGITAL PHOTOS – YOUR PHOTO TIME MACHINE

Photography is a human collective past, which is a huge visual archive of various techniques, techniques and creative processes. Each print – a daguerreotype, a Polaroid photo, the brightest HDR photo – is part of our common visual language.

With a huge raw-file at hand, modern photographers strive for a new application of historical image styles in their own works. Some masters use photographic technologies of the past – ambrotypia, technicolor, anastigmat lens. Currently, there are many tools to simulate notable, sometimes even esoteric, photographic processes. Continue reading

Eugene Smith – Supporter of “Subjective” Photography

Eugene Smith (William Eugene Smith), famous in the genre of documentary photography, today is known throughout the world. Throughout his life, he was convinced that photography was able not only to tell about current events, but also to change the world. He was ready to take risks for the sake of a good shot, and many of his works are confirmation that this risk was justified.

The American photojournalist did not seek to maintain objectivity during the filming. He tried to convey a subjective view of the situation, to reveal to the viewer his idea of ​​it. He felt responsible for the information he covered before the viewer. Eugene often had conflicts with employers who did not consider it necessary to publish some of the work, or wanted to give out prints that, according to the photographer, did not deserve it. Continue reading

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USING A TEXTURE AS A SUBJECT
Although it may seem that the use of texture in photography is a rather simple compositional technique, nevertheless sometimes there are certain difficulties in its development. Lighting, shadows, and colors…

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PHOTO KOTIKOV: SOME RECEPTIONS AND TIPS
Well, who doesn't like cats? Only those who do not know how to photograph them. When it comes to shooting cats, we immediately imagine kittens with their cute movements, which…

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BEACH PICTURE: TIPS AND RECOMMENDATIONS FOR PERFORMING PERFECT SUMMER IMAGES
Not only travelers are under "beach hypnosis." Today, more and more photographers are reaching for a relaxing adventure in the form of shooting at the water's edge - this is…

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HOW TO PHOTO JEWELERY WITHOUT A STUDIO. GUIDE TO ACTION
Many online store owners are worried about how to convey the beauty of sparkling jewelry in photographs. However, shooting jewelry is not as difficult as it might seem. Here is…

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