USING A TEXTURE AS A SUBJECT
Although it may seem that the use of texture in photography is a rather simple compositional technique, nevertheless sometimes there are certain difficulties in its development. Lighting, shadows, and colors…

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HOW TO PHOTO JEWELERY WITHOUT A STUDIO. GUIDE TO ACTION
Many online store owners are worried about how to convey the beauty of sparkling jewelry in photographs. However, shooting jewelry is not as difficult as it might seem. Here is…

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HOW THE PHOTO CHANGE THE BRIGHT GLARES IN THE EYES
You have chosen the pose of the model, set the lighting and found the desired shooting angle. Everything seems to be fine. Your model is motionless, looking into the lens…

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combine them into one HDR photo

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HOW TO PACK CORRECTLY PHOTO FOR DRAINS AND DO I NEED TO USE AN ARTIFICIAL INTELLIGENCE FOR THIS

For a photographer who works with photo banks, high-quality images are half the success. In order for a photo to be commercially successful on stocks, it must be properly “packed”: the correct title must be selected for it and relevant keywords must be invented. In the language of drains, this is called “attribution” of the image. Without proper attribution, your picture, no matter how professional and fresh it may be, will simply be lost in a huge mass of stock images. Continue reading

CREATING DIGITAL PHOTOS – YOUR PHOTO TIME MACHINE

Photography is a human collective past, which is a huge visual archive of various techniques, techniques and creative processes. Each print – a daguerreotype, a Polaroid photo, the brightest HDR photo – is part of our common visual language.

With a huge raw-file at hand, modern photographers strive for a new application of historical image styles in their own works. Some masters use photographic technologies of the past – ambrotypia, technicolor, anastigmat lens. Currently, there are many tools to simulate notable, sometimes even esoteric, photographic processes. Continue reading

Eugene Smith – Supporter of “Subjective” Photography

Eugene Smith (William Eugene Smith), famous in the genre of documentary photography, today is known throughout the world. Throughout his life, he was convinced that photography was able not only to tell about current events, but also to change the world. He was ready to take risks for the sake of a good shot, and many of his works are confirmation that this risk was justified.

The American photojournalist did not seek to maintain objectivity during the filming. He tried to convey a subjective view of the situation, to reveal to the viewer his idea of ​​it. He felt responsible for the information he covered before the viewer. Eugene often had conflicts with employers who did not consider it necessary to publish some of the work, or wanted to give out prints that, according to the photographer, did not deserve it. Continue reading

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COSTUMED PORTRAITS - 5 TIPS FOR MAKING CORRECTLY
Over the past few years, interest in photographing costume portraits has grown markedly. Starting from movie displays and ending with inspiration from historical canvases, there is no end to those…

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UNDERSTANDING WIDE AND SHORT LIGHTING IN PHOTOS
There are many lighting options that you can use when taking portraits. Lighting "Rembrandt" and "Butterfly" are two classic schemes that are easy to configure and give excellent results in…

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STEEL WOOL. NEW IDEAS FOR LIGHTING
You probably saw these cool photos that show fire rings, sparks and fiery whirlwinds? Have you ever wondered how this type of photograph turns out? Perhaps what you saw was…

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HOW TO PACK CORRECTLY PHOTO FOR DRAINS AND DO I NEED TO USE AN ARTIFICIAL INTELLIGENCE FOR THIS
For a photographer who works with photo banks, high-quality images are half the success. In order for a photo to be commercially successful on stocks, it must be properly “packed”:…

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