PHOTOGRAPHY STILL

COSTUMED PORTRAITS - 5 TIPS FOR MAKING CORRECTLY
Over the past few years, interest in photographing costume portraits has grown markedly. Starting from movie displays and ending with inspiration from historical canvases, there is no end to those…

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CREATING DIGITAL PHOTOS - YOUR PHOTO TIME MACHINE
Photography is a human collective past, which is a huge visual archive of various techniques, techniques and creative processes. Each print - a daguerreotype, a Polaroid photo, the brightest HDR…

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USING A TEXTURE AS A SUBJECT
Although it may seem that the use of texture in photography is a rather simple compositional technique, nevertheless sometimes there are certain difficulties in its development. Lighting, shadows, and colors…

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HOW TO PACK CORRECTLY PHOTO FOR DRAINS AND DO I NEED TO USE AN ARTIFICIAL INTELLIGENCE FOR THIS

For a photographer who works with photo banks, high-quality images are half the success. In order for a photo to be commercially successful on stocks, it must be properly “packed”: the correct title must be selected for it and relevant keywords must be invented. In the language of drains, this is called “attribution” of the image. Without proper attribution, your picture, no matter how professional and fresh it may be, will simply be lost in a huge mass of stock images. Continue reading

CREATING DIGITAL PHOTOS – YOUR PHOTO TIME MACHINE

Photography is a human collective past, which is a huge visual archive of various techniques, techniques and creative processes. Each print – a daguerreotype, a Polaroid photo, the brightest HDR photo – is part of our common visual language.

With a huge raw-file at hand, modern photographers strive for a new application of historical image styles in their own works. Some masters use photographic technologies of the past – ambrotypia, technicolor, anastigmat lens. Currently, there are many tools to simulate notable, sometimes even esoteric, photographic processes. Continue reading

Eugene Smith – Supporter of “Subjective” Photography

Eugene Smith (William Eugene Smith), famous in the genre of documentary photography, today is known throughout the world. Throughout his life, he was convinced that photography was able not only to tell about current events, but also to change the world. He was ready to take risks for the sake of a good shot, and many of his works are confirmation that this risk was justified.

The American photojournalist did not seek to maintain objectivity during the filming. He tried to convey a subjective view of the situation, to reveal to the viewer his idea of ​​it. He felt responsible for the information he covered before the viewer. Eugene often had conflicts with employers who did not consider it necessary to publish some of the work, or wanted to give out prints that, according to the photographer, did not deserve it. Continue reading

HOW TO USE THE REFLECTOR FOR PORTRAITS WITH NATURAL LIGHTING

Reflected light adds depth and freshness to photo portraits. Sometimes it is possible to use reflected light of natural origin, looking for large surface sizes on the open air, so that sunlight reflects gently and falls on a person’s face. The simplest way is to use a special device – a reflector. An important task is to learn to see the light falling on an object, and then control its strength and quality.

We’ll give you some tips to help you use the reflector correctly.

How to use a reflector
A woman dries skeins of hemp thread that reflect light on her face Continue reading

HOW TO PHOTOGRAPHY STILL LIFE. SIMPLE METHODS

You do not need to treat still life photography as a real problem, because you do not understand where to start work. This genre is definitely worth mastering, because it can become a kind of meditation for the photographer.

How to photograph a still life. Simple methods

Still life photography helps the photographer hone professional skills at his own pace, while at the same time, it immediately becomes possible to create works that can later be placed in the portfolio. This article will help you get started creating still life photographs: photographer Charlie Moss shares his experience in shooting them. Continue reading

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USING A TEXTURE AS A SUBJECT
Although it may seem that the use of texture in photography is a rather simple compositional technique, nevertheless sometimes there are certain difficulties in its development. Lighting, shadows, and colors…

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HOW TO PHOTO JEWELERY WITHOUT A STUDIO. GUIDE TO ACTION
Many online store owners are worried about how to convey the beauty of sparkling jewelry in photographs. However, shooting jewelry is not as difficult as it might seem. Here is…

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HOW TO USE A RING LIGHT FOR PICTURES BY NON-TRADITIONAL METHODS
Ring LED lamps are now at the peak of fame and are widely used by professional photographers and amateurs. There are many models of these devices from dozens of companies…

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DAVID LASCHAPEL - GLOSSY PHOTOGRAPHER, PROVOCATIONAL CLIPMAKER AND MASTER OF SURREALISTIC GLAMOR
American David LaChapelle is known both in the fashion world and in show business. He is one of the most famous glossy photographers of our time, included by the American…

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